Joy Kogawa is in Lethbridge Alberta, for the opening of Naomi’s Road opera. She attended a reception afterwards, and also spoke to the audience.
The following is a story published in the Lethbridge Herald:
Dark days of internment come to life
By Al Beeber
Mar 28, 2006, 22:45
In Naomi’s Road, resilience offers hope for a better future in the lives of two young children displaced to internment camps during the Second World War.
That spirit, so vividly detailed in that work and the award-winning Obasan by novelist and poet Joy Kogawa, survived and thrived despite the efforts of Canada’s wartime government to disperse Japanese-Canadian citizens, considered a threat to security after Japan entered the war.
“The government policy was designed to make sure Japanese-Canadians never amalgamated and made a community again,” said Kogawa, in the city Monday to watch the Vancouver Opera presentation of Naomi’s Road at the University of Lethbridge.
The opera is based on the 1986 children’s book by Kogawa, a second-generation Japanese-Canadian who was evacuated to Slocan, B.C. and Coaldale from Vancouver with the rest of her family during the war.
Born Joy Nozomi Nakayama, the author, poet and member of the Order of Canada attended school in Coaldale from grade 5 to high school and later taught elementary school there for a year.
The divorced mother of two was actively involved in the efforts to seek redress from the Canadian government in the 1980s. The internment of her people is one of the darkest stories in Canadian history and the production of Naomi’s Road, which has been staged numerous times in B.C. schools, is one way to educate Canadians about the injustice, including younger generations of Japanese Canadians whose family may not have talked about the internments.
“There was an intense need on the part of parents to protect their children. It’s a very Buddhist way of thinking, to move forward. The morality was to endure suffering in silence.”
“Naomi’s Road is a fantastic tool, not just for education but for healing people,” says the soft-spoken Kogawa who donated much of her family’s possessions from their Vancouver home to the Galt Museum. Many of those household items have been mentioned in Kogawa’s works.
“It’s a story that just won’t help Japanese Canadians but people in general. It teaches people about the follies of racism.”
“One can use art to bring about healing,” says Kogawa whose family home is the centre of an effort by various groups to be converted into a writer’s residence. It is currently slated for demolition.
The loss of the family home and their internship inspired her novel Obasan which was named Canadian authors book of the year in 1981.
Canada’s efforts to compensate Japanese Canadians for the internship were satisfactory to Kogawa who felt the process and dialogue between Japanese Canadians and government was an act of healing.
“As far as I’m concerned, the appropriate process had been followed,” said Kogawa. For healing to happen, the voice of the interned people needed to be heard and some of those voices were angry.
“When the kids were told, some got angry,” recalled Kogawa. The issei — or first generation Canadian immigrants — chose often not to talk about the internment while the nissei — the second generation — were caught up in the dispersal and didn’t know what it was all about.
“The burden needs to be lifted by all of society. It’s not an easy process,” said Kogawa.
Anne-Marie Metten of the Vancouver committee of Save Kogawa House is with the author in Lethbridge. She was planning to meet officials of the Galt Museum Monday to look at the Kogawa collection so house restorers can authentically reproduce the family’s furnishings if efforts to save the house from the wrecking ball are successful.
“We want to create a sense of the house as it was in 1942.”
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